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- taku sugimoto | opposite (1998)
- taku sugimoto | myshkin musicu for electric guitar (1996)
- taku sugimoto | alto (1995)
- taku sugimoto | slub: unaccompanied violoncello solo (1994)
- michael pisaro | shades of eternal night (2018)
- michael pisaro | étant donnés (2018)
- evan parker / derek bailey / han bennink | the topography of the lungs (1970)
- max neuhaus / john cage | fontana mix-feed (1966)
- fraufraulein | extinguishment (2015)
- radu malfatti | one man and a fly (2015)
- richard abrams | levels and degrees of light (1967)
- joseph jarman | song for (1966)
- roscoe mitchell sextet | sound (1966)
- musica elettronica viva | friday (1969)
- anthony braxton | 3 compositions of new jazz (1968)
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Monthly Archives: March 2018
taku sugimoto | opposite (1998)
1997 was a pivotal year for Taku Sugimoto. He recorded two more albums in the first half of the year, further honing the gentle aesthetic he’d been increasingly exploring on his other recent projects. Though the electric album Flagments of … Continue reading
taku sugimoto | myshkin musicu for electric guitar (1996)
Taku Sugimoto’s second full-length solo guitar album (following 1988’s very different Mienai Tenshi) finds him moving more conclusively towards the spacious, searching sound that would come to define his playing through the early years of the 2000s. The 3″ EP … Continue reading
Posted in 1996, eai, free improv
Tagged Atsuko Ohno, Brent Gutzeit, Kevin Drumm, Michael Colligan, Michael Hartman, Slub Music, Taku Sugimoto, Tetuzi Akiyama
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taku sugimoto | alto (1995)
After 1994’s Slub: Unaccompanied Violoncello Solo, Taku Sugimoto stopped playing the cello, to which he’d devoted the past few years, and returned to the electric guitar. The resulting 20-minute 3″ CD, again released on Sugimoto’s own Slub Music label, was … Continue reading
taku sugimoto | slub: unaccompanied violoncello solo (1994)
It’s hard to imagine now, but like many of the young Japanese musicians who contributed to the turn-of-the-millennium Tokyo-based minimalist scene, Taku Sugimoto did not start his musical career with the restraint and patience for which he eventually became known. … Continue reading